"Looking at his work here, in an exhibition called The Rule of Metaphor, which covers paintings from 1927 to 1930, one gets the sense that, while his French surrealist counterparts were mere poseurs surfing a psychoanalytically- informed zeitgeist, Magritte was the real deal: a bona fide oddball with total conviction in his bizarre vision.... {the exhibition] makes you take an entirely fresh look at this extraordinary artist. Not many painters can leave you looking at the world in a different way for days afterwards. Magritte is one of them."
René Magritte at Luxembourg & Dayan
Digby Warde-Aldam, The Week, March 10, 2018